We strongly recommend that you backup your existing (disk based and PostgreSQL based) project libraries before performing an upgrade. We hope you do decide to upgrade as your facility grows and you do more advanced work! Important information regarding project library managementĭaVinci Resolve 18 requires a project library upgrade from DaVinci Resolve 17.4.6 and previous versions. If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools and remote rendering, please upgrade to DaVinci Resolve Studio 18. DaVinci Resolve 18 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro.
However, it does limit project mastering and output to Ultra HD resolutions or lower. If you want to master the Fairlight page in DaVinci Resolve, check out Travis’ tutorial.The free DaVinci Resolve 18 includes all of the same high-quality processing as DaVinci Resolve Studio 18 and can handle unlimited resolution media files. It allows you to set an edit point, select a range, and still perform standard edit functions like trimming, adjusting volume, and adding fades without switching modes.Ĭheck it all out above. Among other things, it allows you to make edits during playback or recording by ignoring the playhead location. The biggest and probably most useful change, however, is the new edit selection mode. A tip: rather than trying to locate the link directly on the website as shown in the video, use the link located in the new sound library section to get there directly. One feature that has gotten the most attention is the addition of a new royalty-free library of sound effects that you can download from the Blackmagic Design website and then access from the Fairlight page. You can now bounce select file(s) straight to the Finder as mono or multichannel files. You can even monitor specific tracks without having the mixer and meters open.
In the Mixer, effects are now organized by type with favorited effects appearing at the top for easy access. The new Edit Index makes it easy to locate elements in your timeline and is fully customizable.
You can even change the order of your tracks by dragging in the index – much easier than the previous process of right-clicking a track header to move it just up or down a single space. You can now lock, arm, solo, and mute tracks directly in the index – no need to scroll through a long page of tracks. In today’s MacBreak Studio, Ripple Training senior editor Travis Richmond takes us through the new features in the Fairlight page, starting with the Track tab of the Index. Version 16.2 of DaVinci Resolve just dropped with a myriad of enhancements (as usual) with most of them focused on the evolving Fairlight page for working with audio.
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